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William Moersch
Joined:
2005-2-20
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On page 12, I see only a high Bb single tremolo, followed by two octave tremolos. I would play all hand-to-hand.
The end of the first movement is a three-note tremolo of G, F#, and octave G. You have a few choices: low G in LH, F# and high G in RH; octave G's in RH and F# in LH; or low G and F# in LH and high G in RH. In my experience, most Japanese marimba tremolos sound best when played in the specific voicing indicated by the composer, so in this case I would choose the first option with the low G alternating with the high minor second, which emphasizes the half-step crunch. The other two options instead emphasize the half-step trill and/or the octave.
WM
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[5577]Re:The Source (704 reads)
[5572]The Source <baldauff>