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James Walker
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Something that strikes me in the current "which grip should I use?" debate (and, in other instances where a similar debate arises) is, everyone tends to make their final judgements on the suitability of a grip based on the initial tendencies of that grip. I use several grips - Burton, Stevens, and Stout - and I've found in my own playing (YMMV) that once I reached a certain level of facility, the amount that one grip was superior to another in a given area - again, in MY experience - tended to diminish.
Is it easier to play larger intervals with Stevens grip than it is with Burton? Or "one-handed" rolls? Generally, yes. Is it impossible to play large intervals or one-handed rolls with Burton? Nope - just ask Bill Molenhof. (Maybe one has to use longer mallets than one would use on vibes if you're playing on a five-octave marimba, but...)
Is it easier to play at louder dynamic levels with Burton than it is with Stevens? Generally, yes, especially when one is in the beginning-to-intermediate stages of learning to play. However, I know several Musser/Stevens grip players who can create plenty of volume with Stevens grip - it just takes a little longer to build up one's strength with this grip.
Is it easier to maintain a constant interval between the mallets of a single hand with Burton, vs. Stevens? Yep - again, especially if one is in the early stages of learning the grip; once one has developed one's technique, the difference is much less.
And one other thing which is often overlooked: not only is there an issue of what grip is "best" for a particular piece of music, but one must consider what grip is "best" for a particular PLAYER - some people's hands are better suited to Burton than Stevens, or vice-versa.
Sure, each grip has its specific strengths and weaknesses, and there certainly are pieces in the marimba repertoire which lend themselves to particular grips and techniques - especially if the piece was composed by, or written for, a player using that particular grip. However, I've found that the "common ground" between grips is greater than the differences.
JW
http://www.malletjazz.com
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